BELLEMONT is an AI-enabled creative studio in Brooklyn. We direct and deliver VFX shots, motion graphics packages, commercials, launch films and animated series, with AI-powered workflows that move at the speed your release date needs.
Selected work
All work
What we make
VFX Shots
The one shot in your video that can't be done for real: a wall bursting open, a room transforming around the artist, a product doing the impossible. We design it, build it, and deliver it into your cut.
Motion Graphics Packages
Every piece of on-screen design across a video: titles, lower thirds, phone and chat UI, stream overlays, transitions, end cards. One consistent system, delivered in every format you need.
Commercials
A 30 to 90 second spot, written and directed in-house, mastered for TV and cut for social. Comedy is our home turf, and we take the brief wherever it needs to go.
Launch Films
A 60 to 90 second film that announces a product, a funding round, or a company, built around the founder on camera. One film, or a monthly cadence with cutdowns for every platform.
Social Media Content Packages
A recurring package of short-form videos for your channels: a flagship piece each cycle, cut into the clips each platform needs, delivered on a fixed cadence.
Animated Series
A recurring character for your brand in short weekly episodes. You approve every story before it's made.
Brands worked with
Tobenna “Toby” Ilogu is a Nigerian-American writer and director from New Jersey, based in Brooklyn. He directs actors and he directs comedy. Trained in stand-up and improv at UCB and a graduate of the USC School of Cinematic Arts, he worked under Seth MacFarlane at Fuzzy Door (Family Guy, American Dad, The Orville) before becoming Lead Creator at VaynerMedia, where he made work for Mountain Dew and Gillette. He writes and directs Apeworld, an animated comedy series with more than 20 million organic views, and has built an audience of over 300,000 across his own channels. The AI pipeline he built for BELLEMONT is the cherry on top: it lets one director’s taste reach every frame, at a scale and speed a traditional crew cannot match.
FAQ
We direct and produce VFX shots, motion graphics packages, commercials, launch films, social media content packages, and animated series. Clients range from production companies and music-video teams to startups and brands. Every project is director-led from first call to final frame.
Yes. AI runs through our pipeline, from previsualization to finished shots: image and video generation, compositing assists, rotoscoping, upscaling, voice, and versioning. A director makes every creative decision and approves every frame.
Not if we are doing our job. AI output is raw material, not a deliverable; it gets composited, graded, and cut by people with taste. If a frame reads as AI at first glance, it does not ship.
Yes, and it is a normal first job. Send us the locked cut or the shot with handles, your references, and the delivery spec, and we return a shot that matches your grade and camera. Many longer relationships start with a single shot.
It depends on complexity: cleanup, screen replacements, and simple composites move fast, while shots with CG, simulation, or environment work take longer. We scope turnaround on the first call and hold to it. Rush delivery is available when the schedule needs it.
Each project is quoted individually based on deliverables, shot count, complexity, source quality, revision rounds, and deadline. You get a written scope before anything starts. A short call is the fastest way to a number.
Design direction, style frames, animation, sound design, and final delivery files, plus the pieces a campaign needs: titles, lower thirds, caption treatments, transitions, logo animation, and platform cuts in every aspect ratio. Editable source files can be scoped in.
One revision round is included on every project. Consolidated notes from one point of contact keep that round efficient. Additional rounds or scope changes are quoted before we proceed.
You own the deliverables. Third-party music, fonts, and stock stay licensed to you under their own terms. We keep portfolio rights to show the work.
We are in Brooklyn and work across NYC. Most post, VFX, and animation work happens remotely with clients anywhere. Review and approval run online.
Yes. Travel is an option and is scoped project by project.
Yes. We develop characters, world, and scripts, then produce episodes with a director-led AI pipeline built for consistency across a run of episodes. Series are scoped as a pilot or a season, with the brand owning the deliverables.
Send a message
Tell us what you’re making and when it needs to land.